It’s typically the first question that I ask when starting with a new student. He or she walks in to my office and sits down, gets comfortable, we become acquainted, we plug in and tune up and then I ask them: So, WHY the bass? I find that answering this question tells me a lot of things about them. Based upon their response I know how serious they’re going to take it, how hard they’re going to work, how much they really like it, whether they’re going to be playing for the rest of their lives or if they will quit eventually (and sometimes I can even predict how soon until they do). Obviously, as a teacher this is important for me because it helps me gauge what to assign them and the best ways in which to move them forward. That’s not really what we’re going to discuss today (perhaps another time), but I’m still going to ask you the question anyway.
Why do you play the bass? You could have picked any number of different instruments, and perhaps you do play more than one, but for some reason you consider yourself a “Bass Player.” For instance, I am a bassist by trade but I also play guitar, drums, piano and keys, ukelele, double bass, cello, and I even sing with most of the ensembles I perform with. And of all these instruments that I am capable of playing, I would never refer to myself as a “Drummer” or a “Guitarist” or a “Singer.” I’m a Bassist. To be honest, I don’t even think it’s my choice. The way I see things, this instrument chose me, not the other way around.
Let me tell you why. I think people play the instruments that they play, or gravitate towards them, so to speak, because of two principle reasons:
1) They like the way it sounds (duh)
2) They identify with the role that it plays in the ensemble
Now, my deciding factor in becoming a Bass Player wasn’t solely based (no pun intended) on reason #1. Yes, I love the way the bass sounds. I made the decision to become a Bassist nearly 20 years ago because I thought I just liked how it sounded. Now that I’ve studied music legitimately and spent a lifetime devoted to it I can see more pieces of the puzzle. I now know that I’m drawn to harmony, as I appreciate composers and artists with rich harmonic textures, and the biggest aspect of determining harmony just so happens to be the LOWEST PITCH. I’m inspired by that fact.
I’ll give you an example; Let’s say the whole band is playing the notes C-E-G. The chord is C Major. No question about it. But let’s say that one person decides to play an A as well; now it’s arguably a C6 chord (most people would interpret it that way when you hear it). Cool. It’s still in the family of “C” chords. But if the bass player plays an A? Now it’s an Am7 chord. A COMPLETELY DIFFERENT TONALITY ALTOGETHER, even though it’s the same note. The register of the bass has the power to make this change, and I love it! We have the final say in what quality a chord will represent, which is quite a responsibility.
I guess that along with sound goes feel too. I love the “feel” of the bass, and not just of the physical instrument itself. When a good bass player of ANY genre of music is laying into his craft, it just “feels” right. Whether he’s laying down a funky slap groove, chugging away 8th notes with a pick or just locking with the drummer, the bass has a way of putting a smile on my face. Always.
But as I said before, the “sound” of the instrument isn’t the only thing that drives us to it. There’s also the role in which it plays in the band that I believe caters to our senses as well. The bass player is the supporter of the group, the glue between the Rhythm and Melody/Harmony. Take it away and EVERYONE will notice the deficit that it takes up in the sonic spectrum. He may not be doing anything technical, inspirational, or even particularly difficult, but his role is vital. He’s not up-front, in the spotlight or well noticed among the audience; until he stops playing. His job is to hold down the fort so that everyone else can be noticed.
Personally, I’m not that outgoing. I don’t like the spotlight. I’d much rather stand next to or support someone who’s outgoing and standing in the spotlight than be him. I’m pretty mellow, laid back, easy going, and I’d like to believe that I’m rather agreeable as well. My personality reflects the instrument that I play. That’s why I wouldn’t dare call myself a drummer or guitarist or any of the other instruments; I play them. But I am a Bassist. There’s no way around it; to the very fiber of my being I am the instrument that I play. I feel a closeness to it and identify with it on a level that’s almost inexplicable. That’s the reason that I’m a bass player.
What’s your reason?
jonathan manafo
There are many reasons why I am a bassist first. I play a lot of acoustic guitar, a bit of keys, percussion and drums, but when it comes down to it I am a bassist.
Why?
I do love how it feels. I love how it sounds. I love the completion we bring to a band. I love that when the bass comes in, the meat of the song begins too. We hold it all together. Even though I sing and lead bands from rhythm guitar, I much prefer being in the background supporting my friends or other musicians. If the band is right and setting clicks, I’ve led from the bass (e.g. Sting) and love it too.
There’s a lot of responsibility on you. If you hit that a bad note…you suck, if you hit a right note at the bad time, you suck…BUT the right note at the right time on bass completes the phrase and the song.
BTW, thanks for your posts and emails. I’ve recommended them to friends. I picked up the twin filter from Aguilar and am loving it. I’m also (on your recommendation) wanting to get those hum cancelling pick-ups for an inexpensive jazz bass I have. Not sure if the instrument is worthy of them. I have a few basses (Lakland, Yamaha BB3000, 77 Fender Jazz Fretless) and this one is my only fretted jazz bass (VM squire). What do you think…would it make a huge difference on it or am I wasting my $ on a ‘not-so-great’ neck?
Jayme
I love that you mention the “completion” that a bass brings to the band. I can think of our true role in no other way. Friends of mine who do not play music will ask what it is that I do in the ensemble. I say to them, “Just listen to what happens when I stop playing,” and invite them to the soundcheck. After dropping out COMPLETELY (when I’m not supposed to) the look on their faces is priceless. “Wow, that’s YOU?” Complete is the word I would use to describe our role 🙂
I’m sure you’re going to love putting those pickups in your Squire. There’s nothing wrong with “hot-rodding” a cheap bass. It will step things up a notch, and if you like the way the neck feels and plays then what does it matter? Enjoy and thanks for reaching out, I’m glad that you’re spreading the word about what I’m doing here. I truly appreciate the support!!!
jayme
TimCD
Deeply true observations. I play the bass (or try to) because it provides a solid foundation on which others can build, a background that they can play with or against. I get a real kick out of helping others to shine. Plus, those deep rumbling notes do feel good right through my body…
The point about the responsibility of setting the right tone, tonality, tempo, groove etc. is a good one too… hadn’t thought about that before.
Jayme
I especially like being supportive when the gig is “boring;” you know, when the songs are easy and repetitive, the lines are easy and you could play them in your sleep. I start to ask myself, “How could I make the drummer sound REALLY GOOD right now?” or “How can I bring out the guitar player’s melody?” Helping others to shine – that’s good!
Michael
I’m just starting to learn how to play the bass (Love Your Lessons and BLOG by the way), but the reason I am drawn to it is because of the sound (I love the LOOOOWWWW notes) and the way it brings everything together. I have always enjoyed listening to Jazz and as a kid in Junior High School (telling my age) I played the Tenor sax.
Keep Up the Good Work
Signed
NEWBIE IN TRAINING
Jayme
Thanks for reaching out Michael! I’m glad you’re enjoying the content I have available and I hope to see you here at L.A. Bass Lix soon 🙂 But yes, those LOOOOWWWWWW notes are the best, especially the extended range ones. Do you happen to play a 5 string bass? If you have experience playing sax, try to make your melodies flow as naturally as a sax player, trying to make them “sing” like only a sax can. That’s what I’ve always strived to do with my melodies, and many others as well. Take care and stay well!
Mark
Because the bass notes are the important notes.
Jayme
we all know that already, dad 🙂
emaper
I play bass cause I really feel it when I play it. Yeah… It’s very difficult to explain. I think that bass is the most beautiful e complete instrument in the world. I would explain myself better, but I’m Italian and I don’t speak english very well.. so I tried 🙂
Jayme
Awesome! I feel exactly the same way man. Your English is fantastic by the way 🙂