My dear friend Brian Kops brought me a song that he had been writing in 15/16, so naturally I just had to work on it with him! You may need to get your calculator out for this one.
Arpeggios may seem difficult given the fancy name, but I promise you that there’s nothing to them and I’ll tell you why in this video.
Ok – it’s time to get to work on this stuff. Today we’ll tackle just two different types of arpeggios – Major and Minor – in all of their inversions spanning a single oct...
Last week we tackled playing single octave Major and Minor triads in root position and each of their inversions. Today we’ll move on to some of the lesser-known chords known as Augmented and Dim...
Alright, enough with all these triads; let’s move on to 7th chords. We’ll still stay within a single octave for this week so don’t worry – it won’t be too hard.
I hope you’re ready for more 7th chord arpeggios, because this week we move on to Dominant and Diminished 7th chords.
Enough of all this single octave stuff. I think you’re ready to start connecting all of these shapes across the fingerboard, so just remember to take your time and go slow at first.
Are you tired of playing triads again? Me too. Thankfully we have these awesome 7th chords that need to be played in two octaves as well. Problem solved!
I promise I won’t teach you any more arpeggio shapes ever again. Instead, I’ll show you some really awesome ways to practice them!
Just fill out your email address below and I’ll send you 12 FREE VIDEOS to help you get started!
Just fill out your email address below and I’ll send you 12 FREE VIDEOS to help you get started!
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