Technique
Single Octave Major & Minor Triads
Ok – it’s time to get to work on this stuff. Today we’ll tackle just two different types of arpeggios – Major and Minor – in all of their inversions spanning a single oct...
Single Octave Augmented & Diminished Triads
Last week we tackled playing single octave Major and Minor triads in root position and each of their inversions. Today we’ll move on to some of the lesser-known chords known as Augmented and Dim...
Single Octave Major & Minor 7th’s
Alright, enough with all these triads; let’s move on to 7th chords. We’ll still stay within a single octave for this week so don’t worry – it won’t be too hard.
Single Octave Dominant & Diminished 7th’s
I hope you’re ready for more 7th chord arpeggios, because this week we move on to Dominant and Diminished 7th chords.
Two Octave Triad Arpeggios
Enough of all this single octave stuff. I think you’re ready to start connecting all of these shapes across the fingerboard, so just remember to take your time and go slow at first.
Two Octave 7th Arpeggios
Are you tired of playing triads again? Me too. Thankfully we have these awesome 7th chords that need to be played in two octaves as well. Problem solved!
Playing Runs & Intervallically
I promise I won’t teach you any more arpeggio shapes ever again. Instead, I’ll show you some really awesome ways to practice them!
Playing with the Circle of Fifths
Okay so you know A TON of different arpeggio shapes and you can play them in multiple places on your instrument and connect them together. Now I’d like you to start moving them through the circl...
Playing from Lowest to Highest
This is one of my favorite ways to practice scales and arpeggios. You may remember this exercise from the Essential Scales course that you just finished, so get ready to apply it to arpeggios now!
